Dead Space Extraction<\/em><\/a>. So, dig in!<\/p>\n\n
Faithful Enemies Types Stretched Thin<\/h3>\n
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One of the unavoidable issues when adapting a survival horror franchise like Resident Evil<\/em> into an on-rails shooter is the cast of enemies. The original Resident Evil<\/em> games were rather sparsely populated, creating moments of quiet solitude which would enhance the ensuing scares. An action-intensive rail shooter, on the other hand, lives off its fodder, and as a result, the selective cast of bio-organic weapons are spread thickly and stretched thinly over the action to the cause of trite repetition. You’ll constantly confront the same slew of primates, hunters, dogs and zombies, because that’s all that the source material can afford. Balancing continuity with prior games and the enjoyment of the rail shooter is a tricky task, one that minor enemy variations (visually, in the form of attack patterns and\/or weak spots) could have proved a sound solution. Another possible solution is a less action-intensive direction as with Dead Space:Extraction<\/em>. This would be more akin to the original games, however, I have doubts that it would have worked quite as effectively.<\/p>\n\n
Weapons Cache<\/h3>\n
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Resident Evil: Umbrella Chronicles<\/em>‘ weapon cache of 15 unique weapons is spread across 5 main weapon types: shotguns, machine guns, revolvers, explosives, and uhh more powerful explosives. Only two types of weapons are ever all that useful: shotguns and machine guns. Shotguns are effective at clearing enemies quickly in tense situations and managing hordes of zombies ready for the critical shot. The machine guns are good for stunning enemies and clearing destructible objects. They both also double as functional main weapons. The other three types are too high-risk due to their destructive power and limited ammunition. Frankly, you’d be stupid to both using these weapons. I did for the final segment of the Resident Evil 3<\/em> chapter and wasted 40 minutes on Nemesis. And anycase, why use a magnum to headshot a zombie when the default weapon is equally as effective? As I said in the previous post, the critical shot system practically makes these weapons redundant.<\/p>\n<\/p>\n
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Burnt Toast<\/h3>\n
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I’m surprised that in all I’ve read about Resident Evil: Umbrella Chronicles<\/em> not one person has commented on the overcooked visual presentation. Don’t read me wrong, I do<\/em> like the visual presentation, but it clearly has a very dark, raw look to it, often bordering on monotone. Comparing the recreation of the Spencer estate to RE Remake<\/em> reveals a weaker textual hue, the wallpaper is the most noticeable difference between the two. Furthermore, compare Umbrella Chronicles<\/em> to its bloom-lit sequel Darkside Chronicles <\/em>and there’s a remarkable gain in detail and richness. Also, the sound of the Samurai Edge, the default gun, is abhorrent and contributes to the style.<\/p>\n\n
Cheating the Default Configuration<\/h3>\n
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Anyone who plays this game with just<\/em> the Wii-mote is a dill. The default configuration is plain horrendous, over-mapping actions to the most prominent buttons, requiring the player to reload by shaking the pointer and losing some minor camera control from the nunchuck. The best way to play is to use the Zapper configuration, but not to use the mold. That way reloading won’t throw off your aim and switching between weapons is easy. It’s unbelievable that this control scheme was not accepted as default, or at least firing off screen made available for those not using it separately (as much as the rapid movement isn’t appropriate to the accuracy-focus of Umbrella Chronicles<\/em>).<\/p>\n\n
Clear Visual Indicators<\/h3>\n
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It’s almost funny how much information you can display on a firing reticle, in the case of Umbrella Chronicles <\/em>the amount of ammunition held in your gun and the type of shot based on the hover of your cursor. Four dashes appear in each direction around the central dot to indicate that you are shooting an object, be it a zombie or a some destructible object, which is really handy for scanning rooms for hidden files.<\/p>\n\n
Adapting Survival Horror to the On-Rails Format<\/h3>\n
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On Twitter, if I recall, I said that I’d like to explore the differences between playing Resident Evil 0<\/em> (which I’d recently completed) as a survival horror game and<\/em> a rail shooter. I hate to disappoint you, but the differences are pretty self-evident. What is<\/em> interesting are the cuts made to adapt the original titles into a rail shooter. Chapters from Resident Evil 0<\/em> are more or less a straight conversion with some of the solo bits chopped out and re-thinkered, the other two games however are heavily redone. While it has been some time since I played Resident Evil 3<\/em>, I don’t recall a hefty majority of the locations, supposedly much of the layout of Raccoon City was adapted from the Outbreak<\/em> games which were made by the same developers. Nemesis also makes his appearance at the start of the third and final act, so the order is completely muddled and there is seemingly no intermission for when Jill is knocked out. The original mansion incident is more faithful, but at the same time, feels like a remade adventure where Chris and Jill’s story is meshed together (there’s always two players together and they are never apart, this justifies the co-op). Only purists are likely to complain however, and all of the adjustments and cuts are understandable.<\/p>\n<\/p>\n
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An Added Word on Cannon<\/h3>\n
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Just as a rider to my comments above, the Red Queen computer system, as seen in the new Umbrella Ends chapter, was actually from the Resident Evil<\/em> movies, and then we have dilemma. Capcom has denied the Resident Evil<\/em> movies from ever being a part of cannon, yet, right here, Capiva have created a thread. Interesting to ponder.<\/p>\n\n
Being Reasonable with the Game’s Intents<\/h3>\n
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I was originally planning on writing an article taking another swipe at the enthusiast media’s silly criticisms of this game, but somehow I couldn’t find enough reputable sources talking unfounded trash to fill an entire article, so I will just talk generally to eschew any accountability. There are two comments used to discredit this title which have really frustrated me: this is not a \u201cproper\u201d<\/em> installment in the franchise and there’s no Resident Evil 2<\/em>, waaaaaahhhh! People, we need to judge this\/any game on what it’s trying to do and not what it isn’t. Just because Umbrella Chronicles<\/em> isn’t a new 3rd<\/sup> person installment does not make it a bad game. Umbrella Chronicles<\/em> is a great stopgap for fans to do their homework and experience the original games in a new format, or, alternatively, as a point of entry for new players. In fact, I think that Umbrella Chronicles<\/em> fits in quite well with Resident Evil 4: Wii Edition<\/em> and the Gamecube remakes and ports\u2014anyone can get their Resident Evil<\/em> fix (minus RE5<\/em>) on the Wii, and that’s pretty awesome.<\/p>\n\n
Widescreen, Dammit!<\/h3>\n
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This game is the first title in my collection to have mandatory, forced widescreen. There doesn’t seem to be any way to play in standard box-TV view, and that kinda makes me angry since I have a nice, box-TV at home. One of those decently-sized flatscreen models that went cheap as HDTV and all that rubbish was coming into the market.<\/p>\n
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Here’s everything I couldn’t add to what I said before. Some pretty substantial comments this time, unlike with Dead Space Extraction. So, dig in! Faithful Enemies Types Stretched Thin One of the unavoidable issues when adapting a survival horror franchise like Resident Evil into an on-rails shooter is the cast of enemies. The original Resident […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[409],"tags":[778],"class_list":["post-2356","post","type-post","status-publish","format-standard","hentry","category-game-discussion","tag-resident-evil-umbrella-chronicles"],"_links":{"self":[{"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/posts\/2356"}],"collection":[{"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/comments?post=2356"}],"version-history":[{"count":7,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/posts\/2356\/revisions"}],"predecessor-version":[{"id":2368,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/posts\/2356\/revisions\/2368"}],"wp:attachment":[{"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/media?parent=2356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/categories?post=2356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/danielprimed.com\/wp-json\/wp\/v2\/tags?post=2356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}