Yakuza 2: The Cultural Dynamite

February 20th, 2009

yakuza-2

Yakuza 2 (Playstation 2) is a game that I probably would have overlooked if it wasn’t for the recommendations by several bloggers, billing this title as one of last year’s most overlooked gems. The recommendations alone piqued my interest, but the more I read into Yakuza 2 the more it revealed itself as the sort of game I’ve been looking to play.

For one, the game was caught in the trap of being a late release stuck on a console slowly on the software decline, the sort of game I can sympathize with. Secondly, Yakuza 2 appeared to adopt much of the detailed-world-and-exploration elements of Shenmue (Dreamcast); a game that I’ve always wanted to but never had the chance of playing. The most intriguing element though would undoubtedly be the cultural exuberance. As a student of cultural things I’ve always been keen to understand and discuss the ways in which culture is adapted to video games*. Yakuza 2 appeared to be a game which did this quite well. Appearances in this case are very telling as Yakuza 2 is cultural dynamite.

Yakuza 2 flaunts its culture on both macro and micro levels. The macro level implementation isn’t really worth talking about because it’s already very obvious from the outset – the game and all of it’s contents are made and set in Japan. But to just quickly form a small list of those, I’d include:

Japanese spoken dialogue during cutscenes
Japanese approach to detective/crime story telling
the setting; inner city Japan
Yakuza subject matter
authentic rendering of two respective cities including architecture, signage and products

Micro Level Implementations

I find the micro level stuff to be much more interesting as culture is most effective in it’s subtle undertones; the one’s that aren’t very often made aware to the reciever. In that respect, the mass combination of cultural subtleties are fundamentally Yakuza 2′s key strength.

Take the scene setting for example. In the frequent downtime between narrative based affairs you’ll spend a good deal of your time soaking up city life. The city environment likens itself to a real city by the way it connects the player to the street-side NPCs. Just by walking down the street, speech bubbles of text appear depicting the words of pedestrians populating the sidewalk. You can’t actually respond to the good majority of these people – and just like in real life, you probably wouldn’t intrude on the conversations of passers by – but their words create an air of atmosphere, rather than being rudimentary set pieces standing in for the sake of it. The sounds of city chatter and pictures of people grouped together in conversation complement the city vibe created by the text bubbles. Through these subtle techniques, life is injected into the city without way of graphic or sound.

The cultural relevancies of Japan are woven throughout those speech bubbles with people complaining about the differences between Osakan and Tokyo people or how the environment has changed from the way it use to be. These pieces of chatter (sometimes they are relayed through text bubbles or through player interaction) all act as a means to share cultural small talk with the player.

yakuza-2-kazuma-kiryu

Within the Japanese cities are interior areas such as restaurants and bars accessible from the city hub. The internal areas are more or less avenues for spending money from your healthy yakuza bank account in turn being rewarded by your mild consumerism with experience points. The products and services in this case relate back to the culture, but again Yakuza 2 strives in the details. When it comes to food and beverages, waiters and bar tenders are keen to talk in detail about the item, how it was made and what ingredients were used to make it. These brief info-bites are chocked full of information and are delivered to you when either selecting or after purchasing a beverage/meal.

Services on the other hand come in the form of escorts, a movie renting service (in which you sit in a room provided to you and watch) and a sort of escort-like luxury service. The latter in which you go to a bar, drink and eat with a lady of your choice for a few hours. The fact that I don’t even know what to call this service (since we don’t have them in Australia!) perhaps speaks lengths as to the cultural strength of the title and how it remained unmodified for the western release. Most of these services differ from their western counterparts, some Japanese only. The fact that the game allows you to play around in such instiutions, opens up huge opportunities for cultural understanding.

Yakuza 2 graphically has a very murky, darkened look to it. It looks a little fuzzy and unclear as well. Unfortunately it does damage the experience a little, but it’s also something that I think harkens back to the cultural elements of the title. Densely populated Asian cities like Shanghai, Hong Kong and Tokyo are all infamous for being surfaced with a layer of dirt and dust caused by the dense population and heightened industrialism. It’s hard to know whether the game is just a little dark or if it’s a reflection of one of the more menacing aspects of Asian cityscapes.

To finish off on my tour of subtle cultural quirks I want to talk about the game’s combat, specifically the animations and sound effects behind each punch, hurl and kick. Each attack available to Kiryu animates fiercely and with swift velocity. The rushed flow of animation combined with some cringe-worthy specials evoke a sense of style similar to the rough and tough fighting scenes from the GTO Early Years manga series and undoubtedly many other examples of Asian brawling media (Hong Kong action cinema etc.).

That wraps up my observations on Yakuza 2′s cultural quirks. I’ve still only scratched the surface of the game, so this post may be followed up with more of the same as I continue to play.

_{* Unfortunately there aren’t many culturally interesting games, nor am I much of a champion of the cultural games niche.}

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Tags: Culture, playstation 2, yakuza

So, What about the PS2 this Christmas?

December 3rd, 2008

Actually, that’s a good question. Even with the migration to the newer consoles there is easily a greater density of active PS2 gamers than Xbox 360, Playstation 3 and possibly Wii players combined. Yet this year’s Christmas coverage and buyer’s guides are hardly falling in the console’s favour eh?

I guess it’s one of the staples of getting old, people forget about you. Still retirement has its perks, and the PS2 has showcased a few interesting gems over the past few months. Furthermore, PS2 games are super cheap at this stage in its life, so they make for easy to buy, fun to play stocking fillers, alongside your Fallout 3, Gears of War 2 and Little Big Planet. Really, you can’t go wrong with half-price, quality assured games this Christmas and the PS2 has a number of good selections. Here are a few suggestions in a friendly list format, fill me in if I am missing anything significant:

Key Titles

Persona 4
Yakuza 2
Eternal Poison
Kingdom Hearts: Chain of Memories
Soul Nomad & the World Eaters

Compilations

Mortal Kombat Kollection
The King of Fighters Collection: The Orochi Saga
World Heroes Anthology
SNK Arcade Classics Vol. 1
Fatal Fury Battle Archives Vol. 1

Port Downs

Sonic Unleashed
WWE SmackDown vs. Raw 2009
Quantum of Solace: The Game
Lego Batman
Guitar Hero World Tour

Singstar

SingStar Disney
SingStar Boy Bands vs. Girl Bands
SingStar ABBA
SingStar Pop Vol. 2

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Tags: playstation 2

Everything is Working in Perfect Harmony

June 3rd, 2008

nintendo ds rainbow

I remember back a few years ago I read an article which talked about Hollywoodisation of the video games industry. The core idea was that as game development budgets rose across all platforms the quality of games would level out and more developers would take less risks in order to survive. This would in turn force developers to create more safe bets breeding a multitude of generic, samey games. Essentially this article forcasted the death for the video game industry.

At the time it definitely sounded realistic. I mean from where we sat we all knew that the cost of development would rise and that it would change the way that the industry operates. Looking at this theory now though it’s clear to see that no such thing exists. On second thoughts its not hard to argue that games are infact less like this now than before.

Balance and What Makes Balance

The idea of Hollywoodisation is very one dimensional, it had no choice but to be that way because back then we could have never predicted how games would evolve into what they are now. With the coming of the latest generation of games we have seen new outlets open up providing users with more selection rather than the idea of the one size fits all format that we have been walking for sometime. These many new evolutions have ensured that we are currently more balanced than ever in turn lowering the burden that Hollywoodisation has on our industry. Lets look at some of these avenues that have helped out industry evolve so much in such a short amount of time.
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Tags: casual gaming, ds, Hollywoodisation, mobile phone, playstation 2, wii

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