Dead Space Extraction – Side Commentaries

March 16th, 2010

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Fugly Boxart

I bought Dead Space Extraction cheap for $20 and even then I almost regretted buying it. Never have I felt so prompted to go back and refund a game I just bought for the sole reason of offensively bad boxart. Take a look for yourself.

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Despite looking blatantly cheap, the horrified woman and the angry dude in the background don’t really resemble the respective characters in the game. In fact, the cover simply fails to represent the high production found in-game. It’s an abomination.

PR Shenanigans

Visceral Games coined the term “guided experience” (or something to that extent) to distinguish Dead Space Extraction from the swath of other rail shooters on the Wii. It kinda reminds me of a similar PR move made recently by Atlus who went to great lengths to separate Shiren the Wander from the association to rougelikes. For those unfamiliar with the term, a roguelike is an ultra niche style/genre of game which bears a likeness to the classic game Rogue. I will throw some links in at the bottom of the article for reference. Anyways, Shiren is clearly a roguelike, yet Atlus wanted to dissociate its game from the genre because roguelikes have a bad connotation. The same can be said for Dead Space Extraction’s PR shenanigans where Visceral are clearly trying to distance themselves from a genre which is seen as derelict in this industry, unfortunately. Although Dead Space Extraction is a very unique rail shooter, it’s still a rail shooter.

Head Spin

People have winged in the past about how these games can be very disorientating as the camera wobbles around. I agree with the complains, it’s true, but you do get use to it and it becomes significantly less of a burden as you adjust. At the same time it makes you sympathetic towards the Japanese who tend to feel motion sickness from playing first person shooters.

Wiimote Speaker Logs

Throughout Dead Space Extraction you can pick up text, sound and video logs. The video logs disrupt the flow of the game as do the text logs. The sound logs though, come through the Wii speaker, and although they only last a few seconds, they do a tremendous job at inserting you into the atmosphere. Probably the best use for the Wiimote’s speaker yet.

Apeing Silent Hill

On completing the first level of the game, a chapter which runs deep with psychological hallucinations, I pondered just how liberally Dead Space ripped from Silent Hill. I guess it’s not really stealing considering that Silent Hill owns that entire psychological horror space, but I just feel that the level preps players up into thinking that the franchise is nothing but a pretender. Fortunately, my perceptions changed over time and Dead Space has its own justifications for all the psychological and religious undertones, all of which will most likely be brought to the forefront in Dead Space 2. Still, the first level genuinely overdoes the visual illusion thing.

Untimely Instructions

Just a little nitpick this one. Quite frequently text cues appear on screen after completing a suggested action which obviously defeats the purpose.

Multicultural Cast

Dead Space Extraction sports a surprisingly varied cast of both males and females coming from a range of different cultural backgrounds. Lexine Murdoch, the female lead, is quite clearly Irish, the protagonist (Nathan McNeill) is American, his gung-ho war buddy seems to be English as does the suspicious Warren Eckhardt. Along the way you also encounter an Indian lady who later becomes a playable character and there’s an American-born-Chinese in the prologue too.

Viewpoints of Many

To coincide with the multicultural cast, Dead Space Extraction places you in the role of several different characters which exposes some personality traits and plot lines not seen through the other members of the cast. It’s a great idea, but isn’t hugely capitalised on in a medium-specific way, since each protagonist plays the same.

Additional Readings

Active Time Babble Roguelike (Episode IX)

@play Column – GameSetWatch

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Dead Space Extraction – An Inspired Take on a Conventional Genre

March 14th, 2010

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Dead Space Extraction is the most progressive of its Wii rail shooter brethren, and probably the most groundbreaking title in the genre in recent memory. The proportioning of gameplay states (which tends to emphasise atmosphere and storytelling) along with a diverse myriad of other mechanics culminate in the realisation of a different breed of rail shooter, one which I think is long over due. As you’ve probably guessed, I’m going to talk about the various points which make Dead Space Extraction unique, however, if you need a refresher, or haven’t yet heard of this title, the video review below lend a hand.

Narrative and Atmosphere

As much as Visceral Games attempts to dissociate their game from the term, Dead Space Extraction is fundamentally a rail shooter. Perhaps a better way to describe it is a rail shooter with lots of narrative and atmosphere. Guesstimating for a second, maybe 40% of the game is purely narrative and atmosphere setting, the 60% is representative of the time you’ll spend shooting at things. That might sound measly, particularly considering the 7 hr length of the main story, but Dead Space Extraction marries the atmosphere, narrative and shooting so well together that each part feels necessary to complete the experience, in turn justifying the excessive amount of passive play time. (And anyways, theres an entirely separate mode which contains nothing but shooting).

Some might interpret this change in agenda as a fundamental change to the genre, but it’s not, structurally there’s just greater padding between the shooting sequences. The re-proportioning does, however, give Dead Space Extraction a unique feel and in fact gives credence to the “guided experience” mantra put forth by EA’s PR folk.

Each of these 3 main gameplay constituents supports and justifies the presence of the others. Since it’s difficult to explain on paper here’s a list of examples to back up my case:

Patented Dead Space Elements

Dead Space sported a few nifty mechanics set around the Resident Evil 4-themed framework which splintered the franchise off in its own direction. Fortunately these original elements have been adapted to Dead Space Extraction and work a treat.

Strategic Dismemberment

A real game changer, I think. In the Dead Space games the most effective way to down Necromorphs (the angry, disfigured space mutants) is to blow off their limbs. “Strategic Dismemberment”, as it’s called, adds a new dimension to the traditional shooting formula, since what was once a single main target (head shot) is now shared amongst the limbs. This change allows the individual design of the space mutants to be more meaningfully characteristic. They’re not all zombies, they have limbs in different places, some short, some large, and that affects the traditional method of play greatly.

Paralysis

Paralysis is a supplementary mechanic which supports the dismemberment. As firing holes into your foes’ head (or body) is no longer suffice–instead players needs to bang off several specific parts of the body–targeting requires greater precision than usual, the action therefore needs to slow to support the required boost in precision. The paralysis technique allows the player to temporarily freeze their enemies so that they can dismember with ease. Surprisingly, this little addition breathes a great deal of strategy into the shooting as it’s a finite, self-charging resource which ought to be used tactically. Also, the other Necromorphs tend to que up and wait their turn while one of their buddies is right in your face, so the paralysis allows the player to take control of the pacing of the alien onslaught, it gives them strategic wiggle room.

Grabbing Objects

Many rail shooters have a grabbing mechanic, however Dead Space Extraction does it a little differently. The grabbing mechanic isn’t technically the same as the shooting (place reticle over and fire to pick up an item), but an actual reach into the screen (via some white light super power) followed by the object floating in front of you, think Elebits instead of, say, Resident Evil: Umbrella Chronicles. Although a very simple trick it allows for some nifty applications such as dragging debris, scavenging for items and tossing gas cylinders.

Zero Gravity

Zero gravity sequences are fixed chunks of gameplay which mostly involve no shooting (save for a single boss battle), where the player scans the environment for a predetermined landing area and pushes themselves towards it. Occasionally they’ll need to clear space debris obscuring their path. These sections do a great job at relaxing the pace without withholding the player from interaction.

Alternative Fire

Alt fire isn’t anything particularly new, but Dead Space Extraction puts an interesting spin on the formula. To initiate alternative fire, you simply tilt the Wii mote 90 degrees. With some weapons, the types of fire correspond to the respective Wiimote orientation, for example with the line gun or plasma cutter holding the Wiimote horizontally will send out a horizontal slice, while holding the Wiimote vertically will send out a vertical slice.

Puzzles on Demand

Inter-spliced between the gunplay are small puzzle sections where the main character has to solder wires on a malfunctioning terminal to open a door, refer to the video for reference. Generally speaking, they’re a neat distraction, however at times you’ll be forced to solder wires and fend off an aggressive hoard of Neromorphs at the same time which creates an invariably tense atmosphere when trying to steady your hand. In co-op, each player is assigned mandatory sections wires to solder which keeps things fresh.

Freelook

Another minor trick which Dead Space Extraction employs is the occasional opportunity to freely scan the environment for a designated number of seconds. These brief moments act as preparation for you to nab some equipment before an oncoming series of shootouts. As with the branching paths, this is another way that Dead Space Extraction gives players the freedom of control which is otherwise absent in this genre.

Ripper

The Ripper is a weapon with Turok-like ingenuity, a gun which fires saw blades. Sure. Big deal, right? Well actually, the player can manipulate these saw blades with the Wiimote by reaching into the screen and directing them at alien fodder. I was greatly surprised by this nasty little weapon. Again, please refer to the video to get a clearer impression.

Glow Worms

Glow worms too, are quite inspired. Basically the Ishimura lacks torches, so the engineers instead use glow worms (think glo sticks) for light. You light up the little wormy by shaking the nunchuck.

Conclusion

The final few points are rather self-explanatory and perhaps not worth the effort of writing in words, however, these smaller points combined with the atmosphere, narrative and the Dead Space franchise frills give Dead Space Extraction a distinct flavour. It’s one of those games that feels inspired by good ideas which are cleanly implemented and well thought out, a game which stands as both a great Dead Space game, but also a great rail shooter and narrative experience.

I’ve also been playing Resident Evil: Umbrella Chronicles recently, so please look forward to some writing (possible comparative) on that particular rail shooter. You can also find similar commentaries on Link: Crossbow Training and House of the Dead II and III: Return, if you’re interested. I’m very interested in mapping the current state of the rail shooter, so expect more to come.

Additional Readings

Developer Commentaries – Gametrailers

Dead Space Extraction – Dead Space Wiki

A Distinct Vision: Nick Earl And Visceral Games – Gamasutra

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Resident Evil 0 – Varied Inconsistencies

March 13th, 2010

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There are a couple of odd inconsistencies in Resident Evil 0. It’s a given in this series to expect a crummy plot and wooden characters, but defeating Marcus and the leech queen at the end of the game was disappointing in how irrelevant it was to what I consider to be Resident Evil 0’s core asset, the empathetic relationship between Billy and Rebecca. Resident Evil 0 defeated my expectations by delivering a un-bombastic narrative, a good story. I found myself deeply engrossed in these two characters and their journey as two strangers. They didn’t speak much and nor did they need to as their relationship developed through the pragmatic functions of the game. Including Marcus as a villain feels contrived, as though the series is carrying out it’s duty of upholding the mannequin heroes and villains trope. Continuity-wise he was already accounted for by the in-game journals and notes, there was no need to resurrect him. And overall I feel disappointed that Resident Evil 0’s great narrative was squandered by series ritual.

Marcus, as the deliverer of forced narrative, also detracts from the relationship that I feel the player makes with the environment. This association with ‘place’ is perhaps what people might call the player narrative, it’s difficult to classify since the aforementioned Rebecca-Billy relationship is also probably part of the player narrative too, although it also has fixed narrative from the director. In any case, Resident Evil 0 is a beautiful game. Sure, it may be a little monotone in comparison to Resident Evil Remake, however, I think it’s easy for the player to grow an attachment because it’s so convincing. Admittedly, I am a patch disappointed at the lack of animation gone into the stills (what is there is phenomenal), originally hearing that the stills were much more animated than RE Remake, but what is there pulls the player in with great ease. Marcus, just as before, breaks the relationship a little, we don’t care about him, we care about his estate and the activity that happened around it.

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The final, and I guess most obvious, disparity regarding the plot is just the difference between the professional rendering of the environment and the vintage of the gameplay compared to the dialogue. Again, improbable video game nonsense that has the quality of a teenage fan fic, set at ends with the high quality presentation. Similarly, the tank controls and the presentation don’t match either.

Other inconsistencies are well established, like how Resident Evil 0 was marketed as Resident Evil on a train (the Under Siege 2 to accompany my Syphon Filter analogy ^_^), when in fact it’s just the B-sides of Resident Evil Remake. Seriously, the train sequences composes the game’s intro and everything after that is Resident Evil redux, mansions, laboratories and the like.

To conclude my extended commentaries of Resident Evil 0, I figure that it’s worth mentioning the forced sexism imposed by the game since it is a disparity of sorts. This sexism is the justification for the partner zapping system. That is, each protagonist is assigned traits which differentiate them from their partner and therefore forces the player to utilise each characters strengths. These traits can be inferred as sexist, on two levels. The first being that Billy is stronger than Rebecca, both in health and the ability to push large crates, while Rebecca can mix herbs and chemicals. Yeah, that’s pretty blatant in assigning gender stereotypes. The second point is a direct consequence of the first in that since Billy can take more hits, it’s best to use him most of the time since after all this is a game of survival and using the character with the most HP is the the wiser decision. Unfortunately, the unintended—second!—consequence, on top of the first, is that since Billy becomes the default character for tackling enemies he needs to store all the important items, and Rebecca is thereby relegated holding duties. So what is Resident Evil asserting? That women are only good for holding things?

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I don’t honestly believe that Resident Evil 0 is sexist, it’s just an interesting observation to make. Theorising for a minute though, I reckon Capcom probably wanted to remedy this issue (not just for sexism’s sake but to keep a balance between the usage of each character) by prescribing Rebecca with her own solo sections without Billy. There’s the first part of the train sequence before they team up, the entire factory area and it’s extremely useful (although not mandatory) to use her for the first floor of the laboratory. Overall, these constitute maybe a quarter of the game, which is pretty significant.

Conclusion

This posts marks the end of my Resident Evil 0 coverage, I also wrote a post 2 years ago on Resident Evil Remake and although it’s shit, maybe you wanna check it out. You know, despite some pretty significant flaws, I really enjoyed Resident Evil 0 as it partly mirrors the atmospheric game of solace I mentioned in The Ideal Prince of Persia. Try it out, I think you’ll dig it.

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